How to Make a Clay Whistle
(also called an ocarina)
Ocarinas and flutes are ancient musical instruments and...
the are easy to create!
There are multiple videos available on the Internet so this website is my humble addition to whistle-making knowledge.
by Dwight U. Bartholomew
Initial posting was on Geocities (rainforest/campoy/2525) in the 2009
Most recent update June 2026
Step 1: Making the Whistle Body
Make 2 pinch pots and stick them together to make a hollow form.
This will form the body of the whistle.
It is not absolutely necessary for the body to be spherical.
It can be almost any shape.
Take a small block of clay and attach it to the clay body.
The top of the block should be aligned with the top of the sphere.
Note: A nozzle is not technically needed for the whistle although it provides a handy place to stick your mouth while you're blowing into the whistle.
Step 2: Attaching the whistle nozzle
Step 3: Making the whistle opening
Insert a thin stick into the nozzle, through the nozzle and into the hollow body. The top of the stick must be aligned with the inside top of the clay body. Using any sharp tool, cut an angled opening in the top of the whistle as shown in the diagram. The edge of the opening must be vertical and at the point where the stick enters the clay body. The other edge must be at an angle (say, 45 degrees).
Note: the angle, width, and length of the opening are variables to play with. Generally, the angle is 45 degrees, the width should be no wider than the stick, and the length should be about the width.
At this point, blowing into your whistle should produce a single tone. If it does not, here are some likely problems and their solution.
Improper Opening Placement
In this figure, examples 1 and 2 show improper opening placements. The whistle will sound best when the opening begins directly above the spot where the nozzle enters the clay body.
Example 1 may work... I haven't researched it well enough.
Example 2, though, is a whistle killer.
The Drooping Opening
When forming the angled cut of the whistle opening, it is easy to push the surface down into the hollow cavity. This leads to poor sound quality. It is much better to have the inside surface of the clay (at this angled cut) in-line with the nozzle, see the figure to the right.
To correct this situation, cut open the whistle and push the angled cut back into place. Reseal the whistle with some clay slip and continue.
Opening Sizes
I have found the size of the opening to be an important factor to sound quality. As seen in the figure to the right (looking down at the top of the whistle), a small opening gives no sound or poor sound. As the opening gets larger, the sound suddenly improves. I have read in some places that the opening should be a square and my experience tends to affirm this. Still, you might try enlarging the opening if you are having difficulty getting your whistle to sound good.
Step 4: Changing the Pitch of the Whistle
Insert a thin stick into the nozzle, through the nozzle and into the hollow body. The top of the stick must be aligned with the inside top of the clay body. Using any sharp tool, cut an angled opening in the top of the whistle as shown in the diagram. The edge of the opening must be vertical and at the point where the stick enters the clay body. The other edge must be at an angle (say, 45 degrees).
Note: the angle, width, and length of the opening are variables to play with. Generally, the angle is 45 degrees, the width should be no wider than the stick, and the length should be about the width.
At this point, blowing into your whistle should produce a single tone. If it does not, here are some likely problems and their solution.
Vary the Hole Sizes
If you put more than 1 hole in the whistle, you may want to consider making the holes different sizes. This will maximize the number of tones it will produce. For example, if you make 3 similar holes you will have 8 tones.
Whistle versus Ocarina
An ocarina is a multiple-tone whistle.
Step 5: Tuning Your Whistle
Eventually, you will want to tune your ocarina so that you can really play music with it.
The 3-Hole System
An octave is 8 notes. To achieve 8 notes you need at least 3 holes all with different sizes.
0 represents a closed hole and 1 is an open hole and hole size goes left to right for larger to smaller, an octave scale is
For those mathemeticians out there, this is like binary counting.
See the animated figure on playing the scales.
While this technique will give you 8 distinct notes,
it may not create a true octave scale.
The 4-Hole System
A visitor to this website pointed me to another site deplicting the 4-hole octave scale. I've reproduced the fingering here.
When cutting holes in your ocarina for the 4-hole system, follow the method described above: cut one hole at a time going from low pitch to high pitch and following the fingering system.
Rule #1 in Clay: Clay Shrinks
When firing your ocarina to, say, Cone 6 the clay will shrink about 10 to 12% in each direction. This will markedly decrease the volume of the whistle (about 30%) resulting in a higher pitch. A carefully tuned pre-fired ocarina will be out of tune after it is fired. I suspect that's one reason why commercial ocarina makers use molds rather than hand-building.
I know of 2 ways around this problem:
1) After many years of building whistles you know exactly what size the wet clay body should be and what size to make the holes. Needless to say, this requires serious planning before making an oddly shaped whistle body.
2) Make a Re-tuning Slit in the ocarina body. This is a thin slit opening and, effectively, acts as a variable-sized hole. While playing the ocarina, the Re-tuning Slit is partially covered with your thumb to the correct amount that DOE truly sounds like DOE.
Clay Shrinkage Issues
While the clay body is wet, cut the Re-tuning Slit and leave it open while cutting the normal fingering openings. After the ocarina is fired, determine how much the slit needs to be covered to perfectly tuned the ocarina. Either mark this position or permanently cover the slit (glue on a cover).
Note: I haven't actually tried out this technique out.
Step 6: Decorating Your Whistle
Once your whistle is tooting, you may wish to decorate it. You can carve into it, paint it, or add to it. I like to add shapes to whistles. For example, below are pieces to turn a whistle into a Bird Flute. Note, the bird head is hollow and the whistle works by blowing into the beak.
Here is an example of a dinosaur-shaped whistle.
If you have any comments or suggestions on making whistles and ocarinas,
please email them to me at dwibdwib@gmail.com.